Modern Science is now recognising what the ancient mystics throughout time have been saying: that all physical matter is in a constant state of vibration, and therefore everything emanates sound (even if it’s not audible to the human ear). So our physical bodies are really a symphony of different sounds created by the functioning of our biological system. In its state of optimum health our bodies are harmoniously aligned with their original blueprint of creation.
Knowing that every organ and every individual cell absorbs and emits sound, it’s easy to understand that each also has its own optimum state of vibrational frequency (resonance): its highest state of health. With sickness or dysfunction the vibration of the sound changes and the afflicted part of the body part moves into a state of dissonance.
Cover Photo by Ian Stauffer on Unsplash
Additional information
| Label | |
|---|---|
| Artists | |
| Release Date | November 19, 2020 |
Sacred Alliance
| Label | |
|---|---|
| SKU | ANCD09 |
| Qualities | |
| Channels | |
| Artists | |
| Composers | |
| Genres | |
| Awards | |
| Original Recording Format | |
| Producer | The recent Anima Music DSD/SACD projects were recorded & mixed on a Cadac J series console. All connections used high quality connectors with OFC cable by Mogami and Van Damme. High quality professional microphones included valve, ribbon, condenser and dynamic models. Lexicon 960L, PCM 91 & 90 Digital Reverbs plus Eventide DSP400 outboard FX processing. Avalon VT-747 SP, 2x Summit DCL-200 & TLA Valve Compressor / Limiter signal processors. ATC 100A, PMC TB2S-A and Adam A7X with Adam Sub 10 Active Studio Monitors.The Mixes were recorded through multiple channels of the Cadac J Series console into 5.1 surround in DSD Format. This process used a Pyramix DSD system with one DAD AX24 Interface to capture DSD at 2.8 GHz.The Mastering set-up then used two Pyramix systems with two DAD AX24 interfaces. One was used to play audio out into the analogue domain while the other captured mastered audio. The Mastering process used additional signal processors for Compressor / Limiting & Equalisation.Units used included: Neve 8051 5.1 Comp/limiter, Elysia Alpha, Buzz Audio REQ & 2x GML 8200. All audio was ‘topped & tailed’ and authored in Pyramix for DSD and SACD production at 2.8 GHz.
|
| Recording Type & Bit Rate | DSD64 |
| Release Date | November 27, 2014 |
Sound Medicine HD
| Label | |
|---|---|
| SKU | ANCD12 |
| Qualities | |
| Channels | |
| Artists | |
| Composers | |
| Genres | |
| Instruments | |
| Original Recording Format | |
| Producer | The recent Anima Music DSD/SACD projects were recorded & mixed on a Cadac J series console. All connections used high quality connectors with OFC cable by Mogami and Van Damme. High quality professional microphones included valve, ribbon, condenser and dynamic models. Lexicon 960L, PCM 91 & 90 Digital Reverbs plus Eventide DSP400 outboard FX processing. Avalon VT-747 SP, 2x Summit DCL-200 & TLA Valve Compressor / Limiter signal processors. ATC 100A, PMC TB2S-A and Adam A7X with Adam Sub 10 Active Studio Monitors.The Mixes were recorded through multiple channels of the Cadac J Series console into 5.1 surround in DSD Format. This process used a Pyramix DSD system with one DAD AX24 Interface to capture DSD at 2.8 GHz.The Mastering set-up then used two Pyramix systems with two DAD AX24 interfaces. One was used to play audio out into the analogue domain while the other captured mastered audio. The Mastering process used additional signal processors for Compressor / Limiting & Equalisation.Units used included: Neve 8051 5.1 Comp/limiter, Elysia Alpha, Buzz Audio REQ & 2x GML 8200. All audio was ‘topped & tailed’ and authored in Pyramix for DSD and SACD production at 2.8 GHz.
|
| Recording Type & Bit Rate | DSD64 |
| Release Date | November 27, 2014 |
Only logged in customers who have purchased this product may leave a review.
Reviews
There are no reviews yet.