Introduzione e Capriccio (1957) for (alto)flute and piano Jan Masséus (1913–1999)
In the first place this work is a composition “pour fait plaisir”. Notes to be played with pleasure and to entertain the listener, light-hearted and unpretentious. The idiom is French-orientated and related to both Willem Pijper and Henk Badings, the tutors of Masséus. Introduzione, written for alto flute, has a lengthy spinned out melodic line with repeatedly new preambles, changing from low to high and back again. The total scale of the alto flute is used for this. For the accompaniment the composer uses impressionistic sounding mixed chords that are introduced in a calm movement of brief sounds that are metrically arranged in groups of two and three cords. In that, the left hand intervenes with some antimetrical figures. In the second part, Capriccio, the composer swaps the melancholically alto flute for the clear sounding flute; an instrument more suited to bring to sound the whimsically written notes pattern. The swift movement in this part is twice interrupted by some tranquil bars; an other time, somewhat more cantabile for the flute and in the piano recalling the quiet eighth notes movement of the Introduzione. Capricious, as the title indicates, but ingeniously written by the traditionally skilful composer Jan Masséus.
Tracklist
Please note that the below previews are loaded as 44.1 kHz / 16 bit.Total time: 00:56:32
Additional information
Label | |
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SKU | ACDBL083-2 |
Qualities | |
Channels | |
Artists | |
Composers | |
Genres | |
Cables | Mogami |
Digital Converters | Sphinx by Merging |
Mastering Engineer | Jos Boerland |
Mastering Equipment | Marren Media |
Microphones | Sonodore, DPA, Neumann |
Mixing Board | Studer |
Instruments | |
Original Recording Format | |
Producer | Jos Boerland |
Recording Engineer | Jos Boerland |
Recording location | Johannes Church, Oostem Holland |
Recording Software | Pyramix |
Recording Type & Bit Rate | DSD64 |
Speakers | B&W 805 |
Release Date | April 24, 2015 |
Press reviews
Colori Ensemble: Colori Miti
Hedendaagse componisten die net zo zijn verweven met Noord-Nederland als met nationale of internationale ontwikkelingen in de muziek: het Jongsma Trio en pianist Frans Douwe Slot, kort geleden omgedoopt tot Colori Ensemble, bracht ze samen op deze ed. Werken voor fluit, hobo, marimba en piano, in verschillende samenstellingen, van wijlen Jan Masseus, wijlen Henk Alkema en Wim van Ligtenberg. Aan zijn compositie Colori van drie jaar geleden ontlenen zowel de cd als het ensemble hun naam. Van Ligtenberg componeerde dit vijfdelige werk onder invloed van de toonkloktheorie van Peter Schat en komt hierin tot fascinerende klankbeelden. En dat gaat ook op voor de werken onderling. Daaronder ook de zeer tot de verbeelding sprekende Viif Nocturnes van Peter Visser met als water druppelende pianopassages. Colori Miti vormt het bewijs dat het hedendaags muziekidioom in deze contreien leeft, op niveau is en een plek verdient in concertprogramma’s. Dit ensemble is top.
RUDOLF NAMMENSMA (Leeuwarder Courant 24-4-2015)
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