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Gabrieli Music for Brass & Organ

Andreas Sieling, Berlin Brass

19,9928,49
Clear
Original Recording Format: DSD 64
Quality and Channels Help

Giovanni Gabireli was born in Venice somewhere between 1554 and 1557. His Father died at an early age, so he was probably brought up by his uncle Andrea Gabrieli. The latter was the organist of the San Marco, as well as a repsected composer, and a former pupil of Orlando di Lasso.  Following in his uncle’s footsteps, Giovanni Gabrieli spent several years as a young man at the court of Albrecht V in Munich. However, he returned to Venice no later than 1585 and, as his uncle before him, was appointed organist at the San Marco.

Tracklist

Please note that the below previews are loaded as 44.1 kHz / 16 bit.
1.
Canzon XV a 10
03:59
2.
Canzon VI a 7
02:54
3.
Sonata Octavi Toni a 12
04:40
4.
Canzon IX a 8
02:34
5.
Canzon XVI a 12
03:21
6.
Canzon in G minor
03:09
7.
Canzon III a 4
01:43
8.
"Canzon I a 4 "La spirita"
02:39
9.
Ricercar primi toni
01:58
10.
Canzone IV a 4
02:02
11.
Canzona II a 4
02:13
12.
Sonata pian'e forte, alla quarta bassa, a 8
04:20
13.
Canzon in A minor
03:50
14.
Canzon I a 5
02:47
15.
Sonata XIX a 15
05:44
16.
Canzon XVII a 12
02:27
17.
Sonata XVIII a 14
05:26
18.
Sonata XX a 22
06:19

Total time: 01:02:05

Additional information

Label

SKU

PTC5186509

Qualities

, ,

Channels

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Artists

,

Composers

Genres

,

Conductors

Original Recording Format

Producer

Job Maarse

Recording Engineer

Jean Marie Geijsen, Roger de Schot

Recording location

Berliner Dom

Recording Software

merging

Recording Type & Bit Rate

DSD64

Release Date September 4, 2015

Press reviews

SA-CD.net

“For those with surround sound systems, this PentaTone release of works by the 17th century Venetian composer Giovanni Gabrieli (ca.1555-1612) will be an absolute must have. It was recorded in February 2013 in Berlin’s largest church, a building whose vast interior is capable of evoking the sonorous spaces of San Marco, Venice where the composer was organist for much of his life. Amazingly for a building with such a large reverberation period the sound of the various groups on this 5.0 DSD recording always remains clear and distinct. This is due not only to the skill of the engineers from Polyhymnia in managing the challenge of a cathedral acoustic, but also to the clean articulation and incisiveness of the playing throughout. Both musically and sonically this disc is a feast for the ears! ”

(January 2014)

Hifi & Records

“An outstanding recording that should be part of every audiophile’s collection thanks to its magnificence of sound.”

(January 2014)

Classical CD Review

“Pentatone’s Gabrielli SACD is a knockout! Gabriell’s music and here it is heard as the composer intended when he wrote it. We are taken back to the 17th century and find ourselves in a spacious resonant cathedral, in this case the Berlin Dom. This is a sonic multi-channel treat taking full advantage of the SACD medium. Don’t miss this one!”

(December 2013)

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